"The
GICLEE"
ON CUSTOM MOUNTED ARTIST'S CANVAS
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I USE ONLY
PROFESSIONALLY 'CUSTOM' STRETCHED CANVAS. THE EDGES ARE PAINTED.
(STAPLED ON THE BACK SO THEY WILL NOT BE SEEN)
READY TO HANG AS IS. NO FRAMEING REQUIRED.
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All my Giclee's
are stretched on custom made wooden stretcher bars. (Shown above)
These are hand made by a master craftsman in Los Angeles. (Not by me)
Each canvas has four pegs, one in each corner, to insure that your canvas is
always tightly and properly stretched.

back of canvas Giclee
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YOU SHALL RECEIVE A CERTIFICATE OF TITLE REGISTRATION FOR YOUR GICLEE When you win, purchase or commission a Giclee from me, you will receive a certificate of authenticity such as the one shown below. The title will, of course, be transferred into your name upon completion of our transaction. You will receive the certificate containing the identifying certificate number. This number is unique to your work of art. You will have access to the Fine Arts Registry website where you will find full details of the painting and a photograph of the piece. You will be the named owner of the painting on the certificate and at the website. There are many more details about this painting at the registration company. This is good for insurance purposes and establishing ownership and value*.
(THIS IS AN EXAMPLE) * Most insurance companies will not pay the current value but an amount closer to the cost of raw materials – unless you could prove the higher value. Yet the disaster that took your art could easily claim your receipts or other documentation as well. Register your fine art with National Fine Arts Title Registry and your asset records that document value and ownership remain safe and available from any computer. Your online records can include a photo and supporting documents to permanently capture details for provenance, estate planning and asset statements. The
appraised value of this GICLEE is between $X00.00 & $X,000.00* |
How should I care for, and should I frame my GICLEE ?
> If you are purchasing one of my pre-stretched canvases with hand painted sides, there is no need to frame the piece. However, you can do so at a custom frame shop. If you would like me to have the GICLEE framed please E-MAIL me or call my studio at (323)-227-4099. I can have this done for you for an extra charge. > If you are purchasing a GICLEE on FINE ART PAPER or UNSTRETCHED CANVAS, you can frame it in several ways. You can buy an inexpensive "ready-made" frame at many stores. They look great that way, and at the minimum cost, as low as $25.00 for a 12" X 18" glass or Plexiglas enclosed frame. Art chains such as 'BLICKS' or 'ASW' have these "ready made" frames. You can purchase these frames over the internet in hundreds of online stores. Many art supply chains also have "frame departments" out in the real world. > You can spend more, ($30.00 - $UP) by going to a frame shop and have your print mounted in a frame. You can choose to use glass or plexiglas protection, depending upon the material used to create the GICLEE. (If you have a question about this please E-mail me or call my studio at (323)- 227-4099. > If you purchase a small unstretched canvas GICLEE, you can have it mounted on an acid-free board, and place the frame around that. This is similar to a matt job for a drawing or watercolor on paper. You don't need glass over them, but doing so will prolong the life of the print to it's maximum, (possibly 140 years). > Prolonged exposure to DIRECT sunlight will fade the colors in your print over time. The claim of 140 years is made with the assumption that you will not hang the work in the direct sunlight. Please be aware of this when choosing a location for your work. >
Do not expose your print to moisture of any kind. Spilled water, spray
or any other exposure to liquid might damage the print. |
Much to my extreme joy, my paintings and drawings are now being collected world wide. My original paintings have been sold and shipped to almost every country in the world. With the exception of my childhood drawings and paintings, I have sold just about every original painting and drawing that I have ever done, except those lost in a house fire many years ago. What do you see in my artwork? How does it make you feel? It's my hope that it will touch you in a profound way. I hope that it will carry you to a place somewhere near where it takes me. Another world. At least, a short respite from this one. Art, in the case of drawing and painting, is a basic, almost instinctive need for the human animal. It pre-dates all language and civilization. And yet, it is an occupation that does not feed or cloth the body. It seemingly has no purpose other then to reach a deep yearning of the human spirit ... A deep yearning to 'create', to emulate our visions of God. We want to create our own worlds, just like God. We can not command the seas to rise or the mountains to move ... but we can draw. And this need in us, so unique, is the basis of all the cultures of the Earth. All that man has accomplished, the domination of the planet, all has it's basis in or need to create art. So, what shall we call my art? The works I've done have been classified by others as "Outsider", "Surreal, "Low Brow" "Psycho-Representational" and "Psycho-Cartoonisum". (I made that up) I don't really mind what anyone calls my art, as long as they have some sort of interaction with it. Actually, I'm glad they call it something. I suppose 'REPRESENTATIONAL' is an adequate description of my style. What it really is; The ranting in pen, paint and words of a relatively normal man, living in quiet desperation, slowly going mad on my way to oblivion or heaven, (or Hell or Reincarnation, who knows?). You either feel my art, or you don't. If you feel it, take pleasure in it ... If you like it enough, you should buy it! People who feel a need to "know" what it "is" or "is not", are people who are afraid that they will be judged. Free yourself from this tragic foolishness! Enjoy whatever you choose to enjoy! Life is too short to worry what other people think. Connett's artwork is collected due to its beauty, captivating intensity, strangeness and honesty. It’s the kind of art that you stare into, and see many things, including perhaps yourself. Your interpretation of this work is a direct reflection of who you are. It is art of many meanings to many people. It is a mirror. Most of my work grows from a single stroke. It is spontaneous. My need to paint and draw began as, and remains a "catharsis". An unplanned way to express feelings that I do not fully understand. Thus, It is not intellectual art. Any intelligence, (or lack there of) found within these canvas portals come from within the observer, not the creator. I'm thankful that my work has become accepted and collected after three decades of relative obscurity. I have developed a following of loyal collectors and supporters. I've been online with my Gallery, "The Vomitus Maximus Museum" since 1994.
~ Find more info about me & my Art at my 'ABOUT ME'(click here) page ~
Shown
are Original Paintings which have been sold here on EBAY
Connett
has designed many CD covers including the Les Claypool, PRIMUS PROJECT
BAND,
"SAUSAGE" ALBUM, " RIDDLES ARE ABOUND TONIGHT" Many Original RS Connett Paintings are sold here on EBAY every month
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Please visit my ABOUT
ME page ![]()